Exhibits and Publications
Issue 9: Kill the Part That Cringes (2025)
Fruitslice
Contributing artist
"Each issue of Fruitslice features original work from over 60 Queer artists, writers, and creators across the globe. This issue is about questioning the reflex to self-censor, to shrink, to apologize for wanting, feeling, or being seen."
GUT Mag Issue No. 1: General Digest (2025)
Easthaus Gallery
Contributing poet
"Do you feel anxious in our current climate? Have loads of tension unsure of where to put it? Do you feel that everything is connected and wish for a better world for everyone around us? Or maybe you find yourself simply having flavor blasted goldfish crackers on the mind... GUT is a publication about the guttural response to our times."
Fata Morgana (2025)
Opal Age Tribune
Contributing artist
"Day dreaming of a world of wonders instead of horrors? Witness the world we have collectively envisioned as we gaze upon the horizons of time... Fata Morgana is for lovers of the written word, offering poetic and whimsical delights. Surprising, cheeky turns are made when seeking the mysteries of the unknown. Fata Morgana is a mirage on the horizon mirroring our deepest desires. This edition encourages you to fantasize without limits of possible futures while grounding you gently in our present, uncertain moment."
Mossbody (2025)
Opal Age Tribune
Contributing artist
"Celebrate planet Earth together in all of its interconnectedness with our bodies... Mossbody includes poetry, prose, short stories, ethereal imagery, and our visions of a most luminous queer future. Wander in our digital meadow as we look close at the intricate interwoven fate of humanity, I mean moss. This edition is meant to encourage luxuriating in your human form cherishing the Earth we are so lucky to share life with in the comfort (and at times discomfort) of our body."
The Fish Zine (2025)
Coin-Operated Press
Contributing artist
"Cats... dogs... birds... now it's time for the fish! Coin-Operated Press invited you to celebrate all the weird and wonderful creatures that live in the oceans, seas, lakes, rivers, ponds, and puddles!"
How Much The Heart Can Hold: A Love Poetry Zine (2025)
Coin-Operated Press
Contributing artist
"The humble love poem can be our first foray into writing poetry, it can be cringe, wholesome, beautiful, terrible, heart-breaking, breath-taking and all of these things wrapped into one! Our contributors have celebrated love through poetry in all its many forms - be that romantic love, platonic love for a friend or family or pet, forbidden love, lustful desire, and any of the other myriad forms that love can take!"
Tactile Echoes (2024)
Mayor's Office of Arts & Culture - Curated by Mariana Rey
"This exhibition showcases the work of four emerging ceramicists whose practices explore the intersection of materials, memory, and personal narratives. Through their abstract forms and tactile surfaces, [the artists] invite viewers to engage with the materiality of their work and contemplate the interplay between the physical and the emotional."
Featuring: Natternzungenkredenzen 1 & Natternzungenkredenzen 2 (2024), Tiptoe (2023), & four pieces from Someone once lived here
Materials: High fire ceramic stoneware, mixed metals
A Plea To The Nine Muses (2024)
Behind VA Shadows - Curated by Jeannie Dale
"As an artist and a curator, Dale invites artists to contemplate on their sources of inspiration, grappling with the classical concept of artists and their muses. Expending on the Greek mythological figures, the exhibition opens up an inclusive ground to explore the relationship between creativity and inspiration."
Natternzungenkredenzen 1 & Natternzungenkredenzen 2 (2024)
Materials: High fire ceramic stoneware, mixed metals
Natternzungenkredenzen: Medieval European tableware objects adorned with fossilized shark teeth. Used to detect poison.
Loose Leafs and Bindings: Book Arts and Print Exhibition (2019)
Cummings Art Center, Connecticut College
Works from Weissman Visiting Artists Emily Larned, Daniele Marotta, ART 202 Intaglio class, ART 235 Artist’s Books class, and selected artist book works from the Linda Lear Center for Special Collections and Archives.
Untitled (Squirrel Tracking) (2019)
Materials: paper, card stock tags, twine, colored thumb tacks
A minimalist map of the Connecticut College campus installed on the gallery wall. Letterpress-printed data tags and color-colored thumbtacks represented each of the 156 squirrel sightings observed by the artist within a one week span. Encouraged visitors to consider the small ways they interact with nature in their day-to-day lives.
